September 2011

23d.—As a description of the appearance of the country in which we were settled, I here introduce a letter written at this date to a friend:

Camp Advance, Sept. 23, 1861.

A short time since I undertook, from a single feature in the marred and distorted face of this country, to give you some idea of the effects of the war on Virginia, and of how dearly she is paying for her privilege of being shamefully servile to South Carolina. It may not be uninteresting for you, now, to know, to know something of its general appearance as it is, and as it was; and yet when I tell you that my attempt to describe one scene fell far short of the reality, you may imagine something of the difficulty of undertaking, in a single letter, to convey any adequate idea of the whole. When Gov. Pickens said last spring to the Carolinians: “You may plant your seeds in peace, for Virginia will have to bear the brunt of the war,” he cast a shadow of the events which were coming on the head of this superannuated “mother of States and of statesmen.”

Chain Bridge is about seven miles from the Capitol in Washington, and crosses the Potomac at the head of all navigation; even skiffs and canoes cannot pass for any distance above it, though a small steam tug runs up to the bridge, towing scows loaded, principally, with stone for the city. The river runs through a gorge in a mountainous region, and from here to Georgetown, a suburb of Washington, is unapproachable on the Virginia side. There are very few places where even a single footman can, with safety, get down the precipitous banks to the water. The river then is a perfect barrier to any advance by the enemy from this side, except at Georgetown, Chain Bridge, and Long Bridge, at the lower end of Washington City. On the Columbia side is a narrow plateau of land, along which runs the Ohio and Chesapeake Canal, and a public road. These occupy the entire plateau till you come near Georgetown, where the country opens out, making room for fine rolling farms of exceeding fertility, with here and there a stately mansion overlooking road, city, canal and river, making some of the most beautiful residences I ever beheld. On Meridian Hill, a little north of the road from Washington to Georgetown, stands the old Porter Mansion, from which one of the most aristocratic families in America were wont to overlook the social, political, and physical movements of our National Capital; from which, too, they habitually dispensed those hospitalities which made it the resort, not only of the citizens of Columbia and Maryland, but also of the F. F. V.’s, for whom it had especial attractions. All around it speaks in unmistakable language of the social and pecuniary condition of those who occupied the grounds. Even the evidences of death there speak of the wealth of the family. The tombstone which marks the place of repose of one of its members, and on which is summed up the short historical record of her who sleeps within, tells of former affluence and comfort.

A little further on we pass the Kalorama House—the name of the owner or the former occupant I have not learned, but it is one of the most magnificent places that imagination can picture. You enter the large gate, guarded by a beautiful white cottage for the the janitor, and by a circuitous route through a dense grove of deciduous and evergreen forest, you rise, rise, rise, by easy and gradual ascent, the great swell of ground on which stands the beautiful mansion, shut out from the view of the visitor till he is almost on the threshold, but overlooking even its whole growth of forest, and the whole country for miles around.

You next pass Georgetown. The plateau begins to narrow, and the dimensions of the houses grow correspondingly less, but they are distributed at shorter intervals till you reach the bridge.

This is what it was. What is it? In passing the Porter mansion, the stately building, with its large piazza shaded by the badly damaged evergreens, and covered more closely by the intermingling branches of every variety of climbing rose, of the clamatis and the honeysuckle, invite you to enter, but the seedy hat and thread-bare coat appearance of the old mansion, give notice that the day of its prosperity is passing away. You would cool yourself in the shade of its clumps of evergreens, but at every tree stands tied a war horse, ready caparisoned for the “long roll” to call him into action at any moment, and, lest you be trampled, you withdraw, and seek shelter in the arbor or summer house. Here, too, “grim-visaged war presents his wrinkled front,” and under those beautiful vines where fashion once held her levees, the commissary and the soldiers now parley over the distribution of pork and beef and beans. In the sadness, inspired by scenes like these, you naturally withdraw, to a small enclosure of white palings, over the top of which is seen rising a square marble column. As you approach, large letters tell you that Elizabeth Porter lies there, and the same engraving also tells you that she is deaf to the surrounding turmoil, and has ceased to know of the passions which caused it. That marble rises from a broad pedestal, on one side of which are two soldiers with a pack of cards, and the little pile-of money which they received a few days ago, is rapidly changing hands. On the opposite side are two others busily engaged in writing, perhaps of the glories and laurels they are to win in this war; but I venture the opinion, never once to express an idea of the misery and despair of the widows and orphans at whose expense their glories are to be won! On the third side of the pedestal stand a tin canteen, two tin cups, and a black bottle! The fourth awaits a tenant. Again, for quiet, you approach the mansion. As you step on the threshold, half lost, no doubt, in musing over what you have witnessed, instead of the hospitable hand extended with a cordial “Walk in, sir,” you are startled by the presented bayonet, and the stern command to “halt; who are you and your busines?” A good account of yourself will admit you to spacious rooms with black and broken walls, soiled floors, window sills, sash and moulding, all disfigured or destroyed by the busy knife of the universal Yankee. This room is occupied by the staff of some regiment or brigade. The next is a store room for corn, oats, hay, and various kinds of forage. The house has been left unoccupied by its owners, and is now taken possession of by any regiment or detachment which happens to be stationed near.

Tired of this desolation in the midst of a crowd, you pass through long rows of white tents, across the little valley which separates you from the hill of Kalorama. Your stop here will be short, for after having climbed the long ascent and reached the house, you find the windows all raised, and anxious lookers-out at every opening. From the first is presented to your view a face of singular appearance, thickly studded with large, roundish, ash-colored postules, slightly sunken in the center. The next presents one of different aspect—a bloody redness, covered here and there with with scaly excrescences, ready to be rubbed off, and show the same blood redness underneath. In the next, you find another change—the redness paling, the scales dropping, and revealing deep, dotted pits, and you at once discover that the beautiful house of Kalorama is converted into a pest house for soldiers. Shrinking away from this, you pass through a corner of Georgetown, and then enter the narrow valley between the high bluffs and the Potomac. Onward you travel towards the bridge, never out of the sight of houses, the fences unbroken, the crops but little molested, the country in the peace and quietness of death almost; for the houses, farms, crops, are all deserted, in consequence of the war which is raging on the opposite side of that unapproachable river ; and you travel from our National Capital through seven miles of fine country, inviting, by its location and surroundings, civilization and refinement in the highest tone, without passing a house —save in Georgetown—in which the traveler would find it safe to pass a night—indeed I can recall but one which is inhabited by whites. On all these farms scarcely a living thing is to be seen, except the few miserably-ragged and woebegone-looking negroes, or some more miserable-looking white dispensers of bad whisky, who seem to have taken possession of them because they had been abandoned by their proper occupants. The lowing of herds is no longer heard here; the bleating of flocks has ceased, and even Chanticleer has yielded his right of morning call to the bugle’s reveille. “If such things are done in the green tree, what may we expect in the dry?” Cross the bridge into Virginia, and you will see.

Gloomy as is the prospect just passed, it saddens immeasurably from the moment you cross the Virginia line. In addition to the abandonment and desolation of the other side, destruction here stares you in the face. Save in the soldier and his appendants, no sign of life in animal larger than the cricket or katy-did, greets you as you pass. Herds, flocks, swine, and even fowls, both wild and domestic, have abandoned this country, in which scenes of civil life are no longer known. Houses are torn down, fences no longer impede the progress of the cavalier, and where, two months ago, were flourishing growths of grain and grass, the surface is now bare and trodden as the highway. Even the fine growths of timber do not escape, but are literally mowed down before the march of the armies, lest they impede the messengers of death from man to man. And this is in the nineteenth century of Christianity—and these the results of the unchristian passions of fathers, sons and brothers, striving against the lives and happiness of each other. Alas! Poor Virginia! Your revenues are cut off, your industry paralysed, your soil desecrated, your families in exile, your prestige gone forever.

But as so many others are writing of exciting scenes, I fear you will grow impatient for my description of the last battles— for my account of anthropophagi—of men who have their heads beneath their shoulders—but I have no tact for describing unfought battles, or for proclaiming imperishable glories won to-day, never to be heard of after to-morrow. When we have a fight worth describing, I shall tell you of it. In the meantime I am “taking notes,” and “faith I’ll print ’em.” If the rebels will not give us a fight to make a letter of, I will, at my first leisure, for fear my men forget their Hardee and Scott, have a graphic dress parade, in which our different regiments shall contribute at least a battalion, to pass review before you. Then let him who loses laugh, for he who wins is sure to. Till then good night.